Sorry for the late blog post, we just got over two weekends of the Santa Fe Studio Tour, which is a fair amount of work to host. We meet so many interesting people, and this year I was more proactive in explaining my work. Turns out most people don’t know I am working with books, and what is paperback, what is hardback, etc. I was really reminded of how fun it is to build collages onto hardback book covers. I get to spend a whole day on this in my upcoming workshops, so I was showing my guests the fun possibilities of hacking into the hardback book cover.
Here is the basic toolkit: needles and thread, knives to cut with, an awl to make holes. I also recommend a chop saw (not shown due to the condition of my husband’s workshop at present). You can also add in things like a drill, wire, waxed linen thread, a dremmel tool. And if you have a woodshop available to you, a drill press, a jigsaw, etc.
So lets look at some work. This is an early piece I did in a Lisa Kokin workshop.
I began with the front and back covers taped together for the substrate. Lisa had distributed bundles of paper made by cutting an old math book using a chop saw (by the fabulous Tools Diva, Lia Roozendaal). This is where my love of books began, with little pieces of truncated sentences: 23. Mass, 24. Weight. (I studied a lot of math and physics at college, maybe this is why it amuses me).
The grid is a nice stable structure to begin from, but quite soon Lisa and Lia were urging me to disrupt its order and break outside the squares. And so the fun began. In fact, as I look at it, this may well be the story of how I left Math (serious) and went for Art (fun). Punctures, stitching, and a little paint set me free.
In “Secrets”, I carve into the book with an exacto knife. You can go all the way through the book board and make a hole, or just cut away a few layers, as you see with the stripes. There have been several different man-images in this piece, but I kept covering over them so now we just have The Absent Man, which sorta works for me, actually.
Another grid piece, this time working with more open space and asymmetry. The piece begins with the outside of the hardback book, where the fabric has been peeled away exposing a surface of textured, dried, adhesive. I like how it looks like a cement wall.
Besides the carving and the stitching, I have glued other sawn chunks of hardbacks onto the substrate (you won’t believe how fun it is to saw a book into pieces like this). The small chunk in the upper right is a piece of book pages, cut about an inch from the spine. The spine material was torn off leaving some glue and string. This little chunk juts out about an inch. It is secured by a generous dollop of PVA glue. The stiffness of the book board, as well as its ability to absorb the glue and make a strong bond, allows you to get more dimensional in your collages. It can be a very refreshing change from your normal work.
So give this a try, I promise you will enjoy it. And if you need a little more guidance, come to a workshop and play with us!